“Whether she wrong or not, recording and arguing with her while she tryna feed a baby is lame asf.” “DaBaby a lame with money,” one viral post read. “DaBaby music not good enough to be in some sh*t every other month,” said another.Īnother commenter said, “Both Dababy and Danileigh are clowns.
Prayers to the baby.”ĭaBaby seemingly ended the episode with posts about his upcoming tour and most recent EP, Back On My Baby Jesus Sh*t Again, writing Monday night on Instagram: “I done been beat on and yelled at and chased around like one them fatal love attraction type girls. Have you subscribed to theGrio podcasts “Dear Culture” or “Acting Up?” Download our newest episodes now! Hate shawty went out that way but that ain’t my business I’m a father first always, and always will be.” But I knew to keep it together… End of the day no big deal I don’t want no charges pressed or nothing I just want her peacefully removed… My focus right now is solely on this new project and this LiveShowKillaTour starting Nov. TheGrio is now on Apple TV, Amazon Fire and Roku. The post DaniLeigh charged with assault after altercation with DaBaby appeared first on TheGrio.North Carolina rapper DaBaby jumped into rapping with no prior experience and never looked back. His talents took shape as his regional fame grew, with frequently delivered new mixtapes and singles offering a space for DaBaby to try new approaches.ĭeciding on a whim to take up music in late 2014, his first mixtape surfaced a month later and the next several years saw him building a vast catalog with his immediate and fun flows and lighthearted energy. Baby on Baby is his first studio album following signing a deal with Interscope, and the 13 lean songs present the best examples of DaBaby's progress. A likeable and energetic persona narrates the songs, moving through flexing lyrics and catchy hooks, getting to the point immediately with songs that rarely stick around for more than three minutes. This economical approach makes the album clip along at an amped-up pace, with tracks blurring into each other. Feel-good bounces like "Suge" and "Walker, Texas Ranger" are light and infectious, but when DaBaby shoots off nonstop flows on "Baby Sitter" he begins showcasing his technical abilities as well. He keeps this energy up over the next several tracks, trading verses with worthy peers like Offset and Rich the Kid, as well as going back and forth with Stunna4Vegas on the especially charged "Joggers." Dropping lyrics like "I'm like the Tupac of the new shit" is bold, but DaBaby's charm lies in how he's not even taking his irreverent cockiness too seriously, much less asking his audience to bow down to his greatness.
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